MKDL Meets: Riya Panchal
We were thrilled to chat with MESEME founder Riya Panchal about her creative childhood, multicultural influences and the challenges of starting your own studio.
How did you get into designing?
My creative journey began at a young age, growing up in India.
A cherished memory from my childhood is when my grandmother taught me to draw my first circle using a simple bangle.
My family had a background in paper machine engineering so I grew up immersed in factory visits and discussions with my Dad about industrial processes, machinery and the workings of everyday objects
This built a lifelong curiosity in me, and love for art and creation.
Despite my school’s emphasis on traditional subjects, I pursued my passions to study Product Design, in India and then across the world in the UK.
My design journey continued here through formal education and in the industry, working for Gong by Jo Plimsy, Heathfield & Co and the Marc Wood Studio.
These experiences provided me with invaluable technical knowledge and industry connections. They also inspired my own self-confidence as a designer and introduced me to the creative community at the Blackhorse Workshop, where we are based.
What does your process look like?
My designs intend to translate my emotions and personal experiences into tangible lighting pieces.
The journey begins with introspection, reflecting deeply on my emotional response to a specific theme.
I explore these ideas further by balancing in-depth technical research and playful hands-on experimentation with different materials.
From these initial explorations, the journey becomes a technical collaborative process, working with skilled artisans to create prototypes, test different materials and finishes, and curate an evocative colour palette to bring the vision to life.
“Each piece embodies this process and a personal touch, ensuring a distinct and meaningful experience for the client.”
Your studio works with artisans from the UK, Czech Republic & India. How do these partnerships impact your work?
The studio thrives on a vibrant exchange of cultures and modern & traditional making techniques.
Designed and assembled at our London-based studio, our lighting pieces are brought to life through partnerships with skilled artisans from the UK, the Czech Republic and India.
This collaborative spirit is particularly evident in our MARSHA collection. For this, we collaborate with renowned glassblowers from the Czech Republic, inheriting centuries-old traditions of meticulous glasswork.
Similarly, collaborating with metalworkers from Gujarat, where metalworking is a deeply embedded craft allows us to celebrate traditional craftsmanship.
It's also particularly meaningful to me to be able to contribute to the local community and economy of my home state.
This cross-pollination of talent and heritage allows us to celebrate traditional craftsmanship on a global scale. As we continue to celebrate these partnerships, we are moving to working with more local and UK-based craftsmen.
“Meseme was born from cultural exchange, and we continue to honour this global heritage whilst also nurturing local talent for a truly unique and sustainable design practice.”
What has surprised you most about starting your own studio?
I’m constantly surprised at the breadth of skills needed, from marketing, sourcing to client communication to basic repairs!
The most unexpected delight has been the supportive community of fellow studio members at the Blackhorse Workshops. We share resources, celebrate wins, collaborate on projects & shows and offer guidance through tough times.
While the flexibility and freedom are real, the workload can be demanding. But the ability to shape my work around my life, and vice versa, is an empowering surprise that keeps me motivated and passionate about this creative adventure.
What inspires your work?
My work isn't drawn from a single source, but rather an instinctive response to the world.
Places, objects, historical artefacts, diverse cultures, and even everyday conversations spark ideas.
Travel plays a significant role in enriching my perspective- immersing myself in different cultures, cuisines, and landscapes.
I admire the work of individuals like Gabriela Crespi, a Milanese designer known for her sophisticated yet unconventional pieces imbued with warmth and sensuality.
Similarly, I connect with Ettore Sottsass, an Italian designer whose use of bold colours, statement pieces, and a focus on emotional connection deeply resonate with me.
My work is inspired by all of this, but is equally very personal to my own perspective and background.
The deeply personal CHRYSALIS collection pays homage to my grandmother and the transformative power of life.
Inspired by the fluttering wings and transformation of butterflies, the collection offers versatility and symbolises the continuity of life's journey while embracing the change.
What do you enjoy most about your job? What are the challenges you’ve faced in the industry?
The collaboration and connection that my work entails, with both clients and partners.
This journey of discovery fosters continuous learning, as we partner with skilled artisans who offer a wealth of knowledge and inspire me to constantly expand my knowledge, explore fresh approaches and stay ignited with creative passion.
Initially, the biggest challenge was positioning our studio; we worried about being perceived solely as lighting solution providers instead of a creative studio offering a much broader value proposition.
We are always working to solidify our niche and communicate this to potential clients and partners.